Gold Addy!

A lineman safely guides a departing Gulfstream jet at Opa-locka Executive Airport, near Miami.

A lineman safely guides a departing Gulfstream jet at Opa-locka Executive Airport, near Miami.

Just recently discovered that the Phillips 66 Aviation Fuels website won a Gold Addy in 2016, which I created the images for in late 2014.  The Addy's are a big deal in the advertising world, and although most agencies won't admit it, they really like to win them.

While awards are nice, it was not on my mind when we were creating the images for their advertising needs. 

What was I thinking about?  In no particular order, they were…

    1.  Creating arresting images

    2.  Make sure the images communicate the client's message

    3.  Concentrate on the client's list of images primarily, and create other images as time allows

    4.  Make sure the support team is well coordinated to maximize the client's ROI

    5.  Keep everybody hydrated and well fed.  It was hot out there!

    6.  Be especially attentive to suggestions from the art director

Originally, we were contracted to create 24 distinctly different images over the course of two days, in Opa-locka, Florida, in mid-September.  

In the end, 32 different images were delivered.  Of the 24 selected for inclusion in their marketing/website efforts, almost half were images created as the ideas popped into my head that were not originally on the shot list, created at no additional expense.

It should be mentioned that there was a team of seven (digital tech, first and second assistant, producer, stylist, makeup artist, caterer), 5 paid models with strict time limits, and of course the team from the agency and client.  In all, I think there were 13 people on set at any given time.  The folks at Fontainebleau Aviation were most helpful, and largely due to their cooperation, there were no logistical problems.

After the shoot, I received a note from the agency art director telling me that I had done a "good job."  This meant a lot…and we are still in touch, even though he has moved to another agency.

One of the things I really enjoy about this whole process is collaborating with the client.  Once I know what they have in mind, my imagination kicks in, and I'm happy to offer visual suggestions they may not have envisioned.  It usually works out for all concerned...and adds to the creative possibilities available to the agency/client in crafting their marketing message.

John Slemp

John’s 30 year career has seen him create images for a wide variety of advertising, corporate, and editorial clients worldwide.

After almost 11 years in the US Army, John attended Atlanta’s Portfolio Center, and later assisted established commercial photographers for five years.

Oscar winners, Olympic champions, astronauts, musicians, artists, pilots, veterans and regular people have all been captured by John’s lenses.

An experienced, innovative, and award winning commercial photographer, he deftly brings studio techniques to location work.

John is increasingly involved in showcasing his work through galleries and museums, and is currently writing a book about WWII “bomber jackets.”

Past clients include: The Company of Others and Innis Maggiore ad agencies, the Aircraft Owners and Pilots Association, Epps Aviation, Goodyear Aviation Tires, EAA’s Sport Aviation magazine, General Aviation News, Smithsonian Air & Space magazine, Jet Support Services International, Avfuel, The Lindbergh Foundation, and Women in Aviation International.

A long-time member of the American Society of Media Photographers, John served 5 years on the national board, and twice as the Atlanta/SE chapter president.

http://www.johnslemp.com
Previous
Previous

The Mighty Antonov...

Next
Next

The "Affordable" Solution...